A SEAM-FREE FRAME WITH DECORATIVE FLORAL
DETAIL
(for glass artists with some fusing experience)
Important
issues to consider before you begin : a) SIZE and B) how will
your chosen photo be protected and C) how will the frame stand up? Some people use glass and create a pocket to
go at the back. I wanted something
simpler so I used an inexpensive A4 size L-shaped CLEAR ACRYLIC SIGN HOLDER from Amazon. This dictated the size of the strips to
be cut.
NB I learned
this the hard way. I made a number of
frames, using measurements I found elsewhere.
BUT then, I could not find acrylic stands the right size! So now, I make sure I have the stands first!!
The alternative is to
use a small decorative easel, and to house the photo, you can use a simple
acrylic sign holder, secured to the back of the frame, either with glue or
double-sided tape: https://amzn.eu/d/5UezK9p
Here are some easel ideas
all from Amazon .
Or, make your own cast glass easel using an easel mould from
Creative Paradise. Again, check the
size! They offer two sizes of moulds.
https://www.creativeparadiseglass.com/product-p/lf253.htm
The problem with most fused glass photo frames is the CORNER
SEAMS, which I dislike. The trick to making the seams invisible is
using DOUBLE LAYER GLASS STRIPS, laying them out in a very specific way.
Because I wanted to use floral detail, I wanted a fairly
wide frame, so I cut my strips to suit my project. If you want thinner frames, I recommend
cutting out a pattern from cardboard or paper, to see how it looks and if it
suits your theme.
MAKING THE
FRAME
For my A4 stand I
used:
4 long: 26cm x
5cm (10” x 2”)
4 short: 20cm x 5cm
(8” x 2” )
You need to lay out the first four, onto your kiln shelf,
like this:
I have deliberately left the joints open so you can see the
layout clearly. However YOU MUST BUTT THEM UP AGAINST EACH OTHER.
Put a dot of glue onto each sheet – Fusers glue is always
the safest to use. I use either the pink
or the blue Glas-tac but you could use any glue, even Superglue– as you are using opaque glass.
Then lay up the next four strips on top BUT STAGGER THE
PIECES SO THAT THE SEAMS ARE NOT IN THE SAME PLACE AS THIS FIRST LAYER.
This pic shows the placement of both layers, before putting them together:
the bottom four go on top of the
top four - or vice versa!
Here they are, two layers together:
Amazingly this fires without visible seams!!!
Now, my choice is to fire this to a full fuse FIRST,
(standard full fuse in your kiln for approx. 3-5 mins – do test as all kilns
differ) and then add the decoration later.
But it is possible to add certain kinds of decoration at this stage, and
fire – this is fine if you want the decoration to melt into the frame, but
if you want a dimensional frame like mine, the decoration is best fired
afterwards at a lower temperature.
I created my flowers, leaves, and tendrils separately. As
you can tell, this is a labour-intensive project!
TENDRILS – if you can find organic ready-fused
stringers, you can use these. The
alternative is to shape straight stringers over a candle flame, (they do get
sooty, which wipes off) and tend to look deliberately bent rather than gently
organic.
OR
You can try pulling your own organic stringers using
scrap glass. It takes practice! You can use a flame of any kind but MAP gas
torches do not cause soot. Cooking
torches will work, the ones used for creating brulee. HOWEVER they are easy to knock over so try
clamping to your tabletop or use something to secure it – Blu-tack might work
for example. They can be purchased for
just a few £ or $ from Amazon.
I used Glasshoppa’s method, using ¼” strips of white glass,
spending a fun afternoon practicing:
https://www.youtube.com/watch?v=RkBpqXWBMRg
Using this method, with scrap glass, you can create inexpensive
boxes of organic stringers which have multiple uses.
You can also buy organic stringers…I sometimes buy from http://www.firedglass.biz/
MAKING THE FLOWERS
You have two choices.
You can create your own flowers, using the freeze and fuse
method. For this, you will need glass
powders and silicone moulds. There are
lots of free online tutorials which will show you exactly what to do. Basically, you fill a mould with wet powder
(or dry, making it wet gradually), freeze , demould and fire. It is very satisfying when you get good
results.
Here is just one of the many explanatory videos you can find
on You Tube: JUST CLICK ON THIS LINK: VIDEO
www.jackiesimmondsstudio.etsy.com (clickable link)
Once you have your fused frame, and your pieces, position the decorative pieces in a pleasing design, and use a dot of glue to hold them in place. Ideally, use a Fusers Glue.
Then, the piece can be tack-fused. IT IS REALLY IMPORTANT TO TEST IN YOUR OWN
KILN. I WILL PROVIDE SOME PIECES FOR
PRACTICE with every order. TRY FUSING A
COUPLE OF PIECES TO A 2-LAYER COASTER OR SIMILAR, USING THE FIRING
INSTRUCTIONS WHICH I WILL SUPPLY WITH THE PIECES. Then, you can fire your frame with much more
confidence and finally assemble with the backing you have chosen.
Please just bear in mind that I am not strong, cannot make too
much at any one time, and there may be a waiting list for my pieces!!
I do hope you found this guide helpful. My thanks go to those I have learned from
over the years!
Jackie
www.jackiesimmondsstudio.etsy.com
email: jackiesdesk@gmail.com
My daughter’s wedding photo frame, made as a gift for the
in-laws!
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